The piece examines how the Centre for Digital Humanities and Multilateralism (CDHM) at the Geneva Graduate Institute is leveraging digitised archives of multilateral diplomacy to foster collaboration between artists, social scientists, historians, anthropologists and public audiences. 

The authors argue that artistic creation and digital humanities offer new ways to engage with global governance, activism and public deliberation—moving beyond traditional disciplinary silos to produce research and artefacts that are not only analytic but also immersive.

This publication is especially timely as debates over the future of multilateral institutions and their public legitimacy deepen across the globe. The article invites researchers, practitioners and creatives to rethink how archives and artistic methods can open up multilateral processes to broader publics and new forms of inquiry.

For those interested in global governance, international cooperation, art and interdisciplinary research, this article offers a compelling case for bridging creativity and scholarship.